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Last event date: Saturday, April 01 2017 3:30PM

In 1889, the 25-year-old Richard Strauss accepted the position of conductor at the Weimar Theatre, the very institute whose profile Franz Liszt had shaped a few decades earlier.

The typical features of gypsy music – its free rhythms, unusual modulations, strange timbre – had a great impact on the young Liszt. The composer published his Magyar dalok (Hungarian Melodies) series between 1840 and 1843, and in 1847 he started bringing out his Hungarian Rhapsodies. He selected six of the piano pieces, which he had orchestrated, and they have since become part of the classical orchestral repertoire.

Liszt left his Second Piano Concerto to ripen for some time. When he began working on it in 1839 he was still a globe-trotting virtuoso, but by the time he finished it in 1861 he had retired from the stage and was devoting most of his time to composing. The concerto is a single movement made up of five sections, each of which display various characters around a singular theme. The composer himself conducted the world premiere in Weimar, and his pupil Hans von Bronsart played the piano part. Von Bronsart would go on to become the manager of the Weimar Theatre, where he signed Strauss.

Richard Strauss came up with the genre of the tone, or symphonic, poem early on. Following his orchestral fantasy Aus Italien, in the 1880s he composed his Macbeth, Don Juan, and Death and Transfiguration. Thus Spake Zarathustra is a more mature piece. As the composer put it, “I did not intend to write philosophical music or to portray Nietzsche’s great work in music… The whole symphonic poem is intended as a homage to Nietzsche’s genius, which found its greatest expression in his book ‘Also Sprach Zarathustra’.”

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Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement. The creatures of this idyllic existence unfold from the ever-changing, swirling natural forces of the ‘fabric of life’ that pulsates around them, so they can reach the anima mundi, the world soul, through scenes of purification, birth, awakening and ritual.

Magyarországi bemutató Az Erkel Színház előadása ELŐADÁSOK: 2026. augusztus 14., 15.,16., 20., 21., 22. tervezett esőnapok: augusztus 17., 18., 23., 24.

It is probably impossible to summarize this miraculous story of Mowgli, Bagheera who escaped from the cage of the human society, the wise Baloo, the mysterious Kaa or the vengeful Shere Khan. The Jungle Book is about birth and death, solitude and partnership, about the magic of youth – so everything which can happen with a kid who had grown up with wolves.

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A drámaiságában is szórakoztató előadás megtörtént eseményeket dolgoz fel. Az előadás hossza: 2 óra 30 perc 1 szünettel

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