This contemporary dance performance explores the four seasons, observing the transformation of humanity and nature. When we think of nature, we think of plants, animals, the elements of the environment... more
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Last event date: Wednesday, April 15 2026 7:00PM
Nature is very diverse in its presence: it is dormant and awake, strong and always renewing itself. The seasons are both subtle and very deep. They consist of their own rhythmic cycles, similar to a metronome chanting a constant rhythm. Humankind uses nature to survive, adapting and regenerating every cycle, then, like a leaf, growing old and finally dying. Humans and nature are very similar: they are in constant motion, both made up of a collection of breathing, living organisms. Nature can change people’s state of mind. Though nature does not need humanity, humans depend on nature—even though they often destroy it. Most of the time, when we think of nature, it is trees that dominate our minds. It is no coincidence that we use the genealogical tree as a reference to our past, giving humanity roots and a sense of eternal continuity. Through artistic masterpieces such as Vivaldi’s Four Seasons, people can sometimes achieve immortality. – Aurelie Mounier
Many Ways: A work inspired by possible life journeys: the journey, the indefatigable choices, the many directions, the learning, the inner journey, and the various obstacles that each of us must overcome. My personal journey as an artist, as a human being, has guided me in many ways, full of emotions and experiences, and I have come into contact with many wonderful souls.
Quattro Stagioni
Performed by the dancers of the Budapest Dance Theatre
Music: Antonio Vivaldi
Lighting Designer: Béla Földi
Choreographed by Aurélie Mounier
Many Ways
Performed by the dancers of the Budapest Dance Theatre
Costume Designer: Karisma Costumes / Ben Voorhaar
Lighting Designers: Béla Földi
Video Mapping: Péter Juhász
Choreographed by Neeltje Verdoorn
Péter Tóth Beauty and the Beast World premiere Fairy tale opera in Hungarian with Hungarian and English surtitle
Kálmán Imre egyik legnépszerűbb operettjében Marica grófnő kétségbeesett útkeresését követhetjük nyomon, ahogyan a szerelem elől menekülve, egy új szerelmet talál. A birtokosnő már unja a társaságbeli férfiakat, így egy kitalált, képzeletbeli vőlegénnyel riasztja el kérőit. Így sem menekülhet: megismerkedik birtokának gazdatisztjével, a tönkrement Tasziló gróffal, aki álnéven húga kelengyéjére gyűjt. A történet egyre bonyolódik, a dallamok pedig egyre édesebbek: minden adott egy remek, szövevényes szerelmi szállal átfont operetthez.
Dumaszínház est
Dumaszínház est
Felejtsd el a sztereotípiákat, Alexander Popa darabja három színész játéka. Férj feleség, jóbarát. Vélt és valós igazságok, nyomozás, (mert egy…
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