Concert, music, Opera / Operett

Two giants of Baroque music meet during the Advent season in a performance by the OPERA Orchestra and Chorus. Bach’s well-known Magnificat is performed in its original version, in E-flat major, supplemented with movements specifically tailored to the festive season by the composer himself.

For the 14th time, the performance of the famous Symphony No. 9 will dominate the OPERA’s New Year celebrations. In 2027, the programme will be completed by two further classical works: Beethoven’s overture, also enhanced by Mahler, and a cello concerto by Haydn, the latter of course featuring an OPERA soloist.

Henry Purcell’s epic masterpiece, Dido and Aeneas has to do with the Trojan War. But what is even more important than the historical background of this hour-long little gem is love – as Dóra Barta, the director of the production highlights it, “Humanity has long known that if there is something you can die of, Love is certainly such a thing.

The series launched in the 2025/26 season focuses on composers whose operas receive special attention during the season. Yet there are many singers who do not find a role in the works of these masters, but who would gladly sing from their rich vocal palettes. The piano afternoons and matinees are for them, about them, and inspired by them.

Pairing the two German composers, Wagner and the Wagnerian Strauss in a single evening creates a sweeping and overwhelming fusion of expansive melodies and driving dramatic force. The encounter between Wagner’s mythical intensity and Strauss’s modernism is a dialogue between two musical giants who reshaped not only German but also international musical life. In the performance of the OPERA Orchestra, their compositions promise deep emotions, dense musical textures, and sonic grandeur.

There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.

The series launched in the 2025/26 season focuses on composers whose operas receive special attention during the season. Yet there are many singers who do not find a role in the works of these masters, but who would gladly sing from their rich vocal palettes.

The series launched in the 2025/26 season focuses on composers whose operas receive special attention during the season. Yet there are many singers who do not find a role in the works of these masters, but who would gladly sing from their rich vocal palettes.

There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.

Pietro Mascagni
Cavalleria rusticana

The world-renowned American baritone, who recently celebrated his 70th birthday, sang in choirs and studied music from childhood. After winning several competitions, he was taken under the wing of the legendary coloratura soprano Elisabeth Schwarzkopf, which helped launch his European career.

Approx until: 10 pm

The series launched in the 2025/26 season focuses on composers whose operas receive special attention during the season. Yet there are many singers who do not find a role in the works of these masters, but who would gladly sing from their rich vocal palettes.

The Mexican-born tenor’s singing career began in an unusual way: baritone Arturo Nieto knocked on his door after hearing him sing and suggested he train his voice.

Diana Damrau, named Singer of the Year numerous times by leading international journals and competitions, was inspired to pursue an operatic career by Franco Zeffirelli’s 1983 film adaptation of La traviata.

The series launched in the 2025/26 season focuses on composers whose operas receive special attention during the season. Yet there are many singers who do not find a role in the works of these masters, but who would gladly sing from their rich vocal palettes.