S.Concerto
In this choreography by Iratxe Ansa and Igor Bacovich, the dancers are connected by invisible lines that are constantly broken, only to continuously form ever newer connections. They emit electricity as if we were witness to the violent movements of atoms and molecules depending on the temperature, sometimes explosively, sometimes turning in on themselves.
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Don Quixote
The play is essentially an absurd dream, the dream of the protagonist Don Quixote. Using the power of his imagination, Don Quixote breaks the boundaries drawn and given by life, which brings him into conflict with the world around him, but not with the one within him. With love being the most important value, he is in conflict with a world that is defined not by human values but by the pursuit of money and material goods. In the story I created, Don Quixote is an artist whose main driving force, besides his ideas, is love, which is the burning ember of his soul and for which he seeks a subject. He projects his love onto the figure of a girl, Dulcinea, a colourful character of many dimensions and faces. Money, material goods, and even life itself are fleeting, but love, love is eternal.” Attila Egerházi
S. Concerto
Choreographer: Iratxe Ansa, Igor Bacovich
Music: Bryce Dessner
Set design: Igor Bacovich
Costume design: Silke Fischer
Lighting design: Igor Bacovich
Don Quixote
Director-Choreographer: Attila Egerházi
Assistant Choreographer, Rehearsal Director, and Ballet Master: Cristina Porres Mormeneo
Lighting design: Attila Egerházi
Costume design: Patrícia Pajor and Anett Herman
Set design: Attila Egerházi
Music: Alfred Schnittke, Minkus
Supported by Spanyolország Magyarországi Nagykövetsége
Babaróka 3+ 100 perc, 1 szünettel Bábtechnika: bunraku
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